This is the second book in Tony Hillerman’s Joe Leaphorn/Jim Chee series set in the Four Corners area of Arizona/New Mexico. The series almost didn’t happen: Hillerman’s agent, on reading the first book, The Blessing Way, suggested that he cut Joe Leaphorn and “all that Indian stuff.” Fortunately Hillerman persisted, and an editor at Harper & Row suggested that Leaphorn’s role be enlarged. A few books later, Jim Chee was created. (Hillerman had briefly lost the rights to Leaphorn and so had to invent a new Navajo detective; when he regained those rights, Leaphorn and Chee became a team.)
Dance Hall for the Dead won an Edgar award for Best Novel and was well-deserving of the honor. As a traditional mystery, it has all the requisite elements: several murders, a cruel and devious murderer, clues, red herrings, and a distinctive detective. But it has so much more: Joe Leaphorn is a man who lives in two worlds, a protagonist with the knowledge of the modern police detective and the skills of a traditional Navajo tracker. Like some of the Native American sleuths who have followed him (I’m thinking particularly of Jane Whitefield, Thomas Perry’s Seneca ‘guide’), Leaphorn has the ability to remain still for hours, while keenly observant his surroundings.
In addition to the hunt for the murderer, there is a search for a missing Navajo boy in the high desert, where winter is fast approaching; thus the setting becomes, as is true in most of Hillerman’s books, an important element of the book. And the reader will, of course, learn much about both Navajo and Zuni cultures, as well as some fascinating archeological information (about Folsom man).
I had read a few of the later Hillerman best-sellers, like Thief of Time (1988) and Coyote Waits (1990), but it was interesting to go back to a much earlier book in this series. Joe Leaphorn was a marvelous addition to the world of detective fiction.